dynamics mode

mode

Selects the dynamics processing mode. Each mode defines how the module reacts to signals relative to the threshold:

• down comp -- Downward compression. Signals above the threshold are attenuated toward it. This is the classic compressor behavior: it tames loud peaks while leaving quieter parts untouched. The louder the signal exceeds the threshold, the more it gets reduced. Use it to control peaks, glue a mix together, or add sustain to instruments.

• up comp -- Upward compression. Signals below the threshold are boosted toward it. Quiet details are brought up without affecting loud signals. Unlike downward compression which pushes peaks down, upward compression lifts the quiet parts up. Use it to reveal subtle details, add presence to vocals, or thicken a sound without squashing transients.

• down exp -- Downward expansion. Signals below the threshold are pushed further down. It acts like a gentle gate: the quieter the signal is below the threshold, the more it gets attenuated. Use it to reduce noise, bleed, or room ambience between notes.

• up exp -- Upward expansion. Signals above the threshold are boosted further up. It restores dynamics that were previously lost (e.g., by over-compression), making loud signals even louder. Use it to add punch and restore transient impact.

The ratio controls the intensity of the effect in all modes. The knee smooths the transition around the threshold.